The Greatest Hindi Motion pictures on Amazon Prime Video in India

three Idiots (2009)
On this satire of the Indian schooling system’s social pressures, two pals recount their faculty days and the way their third long-lost musketeer (Aamir Khan) impressed them to assume creatively and independently in a heavily-conformist world. Co-written and directed by Rajkumar Hirani, who stands accused within the #MeToo motion.

Agneepath (1990)
Amitabh Bachchan bagged his first Nationwide Award (for greatest actor) with this motion drama that follows a boy who, after the demise of his father and the tried rape of his mom by a gangster, turns right into a gangster himself as an grownup (Bachchan) to precise revenge. Has a small position for Alok Nath, who stands accused within the #MeToo motion. Additionally, kindly ignore the 2012 remake that is on Amazon as properly.

Amal (2007)
After the titular poor Delhi auto-rickshaw driver (Rupinder Nagra) is called as the only real heir by an area eccentric billionaire (Naseeruddin Shah) simply earlier than his demise, the latter’s grasping household get their arms soiled to make sure the executor of the need cannot find Amal earlier than the 30-day deadline. Function debut for writer-director Richie Mehta.

Amar Prem (1972)
Sharmila Tagore and Rajesh Khanna star on this remake of the 1970 Bengali movie Nishi Padma, a few girl (Tagore) who’s offered into prostitution in then-Calcutta after she’s deserted by her husband, and finds a brand new household of types in a lonely businessman (Khanna) and the neighbour’s son. Famous for its music — by R.D. Burman — its indictment of middle-class hypocrisy, and the humane albeit tear-jerking dealing with of feminine struggling and prostitution.

Andaz Apna Apna (1994)
Two slackers (Aamir Khan and Salman Khan) who belong to middle-class households vie for the affections of an heiress, and inadvertently grow to be her protectors from an area gangster in Rajkumar Santoshi’s cult comedy favorite. Karisma Kapoor, Raveena Tandon additionally star. Remembered for its dialogues which have entered common tradition, and the Bollywood meta-humour powered by Govinda and Juhi Chawla.

Angoor (1982)
Almost a decade and a half after the primary try — in 1968’s Do Dooni Char — tanked on the field workplace, Gulzar additionally took on directorial duties for this remake, that is in the end based mostly on Shakespeare’s play, The Comedy of Errors. With each Sanjeev Kumar and Deven Verma in twin roles, it is the story of two pairs of twins who have been separated in childhood at sea after which are reunited in maturity, inflicting panic and much more.

Ankhon Dekhi (2014)
After an eye-opening expertise involving his daughter’s marriage, a person in his late 50s (Sanjay Mishra) resolves that he will not imagine something he cannot see, which naturally results in some dramatic issues. Directed by Rajat Kapoor, who admitted to a number of sexual assault, harassment, and misconduct allegations levelled towards him through the #MeToo motion.

Ankur (1974)
In writer-director Shyam Benegal’s feature-length directorial debut, a child-desiring Dalit girl (Shabana Azmi) married to a deaf-mute alcoholic potter is seduced by the village landlord’s son (Anant Nag), which causes private and societal issues. Famous for Azmi’s efficiency, and a beneficial comparability to the works of Satyajit Ray.

Chak De! India (2007)
Ostracised and vilified by the press and public, a former Muslim males’s hockey captain (Shah Rukh Khan) plans to redeem himself by teaching the unpolished Indian girls’s hockey workforce to glory. Praised for its exploration of spiritual bigotry, ethnic prejudice, feminism, and sexism, although its narrative sticks to sports-movie conventions and clichés. Impressed by the real-life workforce’s win on the 2002 Commonwealth Video games.

Chalti Ka Naam Gaadi (1958)
The Kumar brothers — Kishore, Ashok, and Anoop — star in director Satyen Bose’s well-known rom-com, which follows three males (the Kumars) with an aversion for ladies, whose life adjustments after two of them fall in love. Madhubala co-stars. Naturally, Kishore sang on the soundtrack as properly, which gave us gems equivalent to “Ek Ladki Bheegi Bhaagi Si” and “Haal Kaisa Hai Janaab Ka”.

Chashme Buddoor (1981)
Author-director Sai Paranjpye adopted up her Nationwide Award-winning debut function with this buddy rom-com, through which two pals attempt to break up a 3rd’s budding relationship with a brand new lady in faculty after failing to woo her themselves. Praised for its spin on Bollywood conventions, by both upending them or sending them up.

Chhoti Si Baat (1976)
This remake of the 1960 British movie College for Scoundrels transports the story to then-Bombay, the place a meek younger man (Amol Palekar) turns to life-coach Colonel (Ashok Kumar) to battle a suave, daring man for the affections of a girl. Amitabh Bachchan, Dharmendra, and Hema Malini cameo as themselves. Basu Chatterjee directs.

Chupke Chupke (1975)
Hrishikesh Mukherjee remakes the Bengali movie Chhadmabeshi, a few newly-wedded husband (Dharmendra) who decides to play pranks on his spouse’s (Sharmila Tagore) supposedly good brother-in-law. Amitabh and Jaya Bachchan additionally star.

Darr (1993)
Shah Rukh Khan performs a stalker who has a crush on his faculty classmate (Juhi Chawla), and torments her, her household, and her boyfriend (Sunny Deol) for 3 hours on this romantic thriller from Yash Chopra, now thought-about considered one of his greatest movies.

A Dying within the Gunj (2016)
In Konkona Sen Sharma’s feature-length directorial debut, a shy and delicate Indian pupil (Vikrant Massey) pays a heavy value for his gentleness, whereas on a highway journey along with his immodest family members and household pals. Ranvir Shorey, Kalki Koechlin star alongside.

Devdas (1955)
In what is taken into account among the best Hindi-language movies of all time, a rich Bengali landowner’s son (Dilip Kumar) turns right into a depressed alcoholic after his household snubs their nostril at marriage along with his childhood sweetheart (Suchitra Sen), which drives him in the direction of a courtesan (Chandramukhi). Bimal Roy directs what’s an adaptation of Sharat Chandra Chattopadhyay’s 1917 eponymous novel.

Dil Chahta Hai (2001)
Farhan Akhtar’s directorial debut about three inseparable childhood pals (Aamir Khan, Saif Ali Khan, and Akshaye Khanna) whose wildly totally different strategy to relationships creates a pressure on their friendship stays a cult favorite. Preity Zinta, Dimple Kapadia co-star. Praised for its mix of humour and sincerity, and delivering a Gen-X film for Gen-Xers.

Dil Se.. (1998)
Shah Rukh Khan performs a radio journalist who falls for a mysterious revolutionary (Manisha Koirala) on this third and last instalment of writer-director Mani Ratnam’s thematic trilogy that depicted a love story towards a political backdrop. Right here, it is the insurgency of Northeast India. Additionally identified for A.R. Rahman’s work, particularly the title observe and “Chaiyya Chaiyya”.

Dilwale Dulhania Le Jayenge (1995)
Shah Rukh Khan and Kajol’s characters fall in love throughout a visit to Europe with their pals on this now iconic movie — which remains to be enjoying over 20 years later in a single-screen Mumbai theatre, although not through the pandemic — however face hurdles as the girl’s conservative father has promised her hand in marriage to another person.

Dosti (1964)
A harmonica participant with a bodily incapacity and a wise avenue singer who’s visually impaired strike up a friendship and assist one another by means of life on this black-and-white drama from Chalti Ka Naam Gaadi director Satyen Bose. Critics referred to as it a tribute to the triumph of human spirit, one which holds up 5 many years later.

Dum Laga Ke Haisha (2015)
A video cassette retailer proprietor and an RSS volunteer (Ayushmann Khurrana) agrees to marry a plus-sized teacher-in-training (Bhumi Pednekar) underneath stress from his household, after which avoids her completely to the purpose of divorce. However after a courtroom order mandates them to try to salvage their marriage, the 2 start to place themselves in one another’s sneakers, earlier than deciding to participate in a piggyback race. Received a Nationwide Movie Award.

Firaaq (2008)
Naseeruddin Shah, Nawazuddin Siddiqui, Inaamulhaq, Paresh Rawal, and Deepti Naval are a part of an ensemble solid for writer-director Nandita Das’ directorial debut, which appears on the aftermath of the 2002 Gujarat pogrom throughout the socio-economic strata. Received two Nationwide Movie Awards and a number of other others on the pageant circuit.

Gangaajal (2003)
Ajay Devgn performs a senior superintendent of police who’s put in in a fictitious Bihar district overrun by crime and corruption — one of many villains shares his identify with corrupt and convicted Lalu Prasad Yadav’s brother-in-law — and vows to breathe life into the dysfunctional police pressure. Prakash Jha writes and directs.

Gangs of Wasseypur (2012)
Impressed by the 2008 Tamil movie Subramaniapuram, Anurag Kashyap concocts a gangster epic — divided into two elements owing to its five-hour-plus runtime — that blends politics, vengeance, and romance because it appears on the energy struggles between three crime households in and across the Jharkhand metropolis of Dhanbad, the epicentre of the coal mafia. Manoj Bajpayee, Nawazuddin Siddiqui, Huma Qureshi star.

Gol Maal (1979)
A chartered accountant (Amol Palekar), with a knack for singing and performing, falls deep down the rabbit gap after mendacity to his boss that he has a twin, on this Hrishikesh Mukherjee comedy. Gave us the music “Aane Wala Pal Jaane Wala Hai”. Mukherjee turns a slapstick trope into one thing extra significant, utilizing Bollywood’s love for twin characters to showcase the desperation of the middle-class within the 1970s.

Gully Boy (2019)
An aspiring, younger avenue rapper (Ranveer Singh) from the slums of Mumbai units out to understand his dream, whereas coping with the issues that come up out of his private life and the socioeconomic strata to which he belongs. Zoya Akhtar directs, and Alia Bhatt stars alongside. The movie has a number of similarities to Eminem-starrer eight Mile, runs near a cliché and co-opts the tradition, however the soundtrack is way more thematically highly effective.

Hera Pheri (2000)
Unemployed and battling cash, a landlord and his two tenants (Paresh Rawal, Akshay Kumar, and Sunil Shetty) likelihood on a ransom cellphone name and plan to gather the ransom for themselves on this remake of the 1989 Malayalam movie Ramji Rao Talking.

Hindi Medium (2017)
A Chandni Chowk, Delhi-based couple (Irrfan Khan and Saba Qamar) battle to get their five-year-old daughter accepted into an English-medium college, as they harbour aspirations of ushering her into the “elite” strata of Indian society. Khan and Qamar have been praised for his or her performances, although the movie was criticised for its missteps within the third act.

I Am Kalam (2010)
Nila Madhab Panda’s function directorial debut is the story of an clever and impoverished boy (Harsh Mayar), who befriends the son of a as soon as noble household, and is impressed by the lifetime of India’s late President A. P. J. Abdul Kalam — whose household was additionally poor in his childhood — to pursue an schooling. Mayar gained a Nationwide Award.

Ishqiya (2010)
Naseeruddin Shah, Vidya Balan, and Arshad Warsi star on this rural Uttar Pradesh-set black comedy that follows two goons (Shah and Warsi) who determine to hunt refuge with an area gangster after botching up a job, however encounter his widow (Balan) as a substitute, who seduces them for her personal machinations. Abhishek Chaubey (Udta Punjab) writes and directs.

Jaane Bhi Do Yaaro (1983)
On this satire of politics, paperwork, and the media, two photographers (Naseeruddin Shah and Ravi Baswani) inadvertently seize a homicide whereas making an attempt to show the wealthy. A Mahabharata dramatisation within the third act is a famend spotlight.

Jab We Met (2007)
Shahid Kapoor and Kareena Kapoor (unrelated) star on this romantic drama from writer-director Imtiaz Ali — arguably his greatest work but — through which a rich and depressed Mumbai industrialist (Shahid) aimlessly boards a practice and meets a bubbly, talkative girl (Kareena), who forces him to accompany her again house to Punjab.

Kaagaz Ke Phool (1959)
Guru Dutt directed and starred in what’s thought to be one of many biggest movies of all time, a few well-known director (Dutt) who casts an unknown girl (Waheeda Rehman) in his subsequent movie, and the opposing trajectories of their careers thereon. Closely paying homage to A Star Is Born, initially made in 1937 after which as a musical in 1954, which itself is a remake of 1932’s What Worth Hollywood?.

Kaala Patthar (1979)
Primarily based on the 1975 Chasnala mining catastrophe, a disgraced Navy captain-turned-coal miner (Amitabh Bachchan), the engineer in-charge (Shashi Kapoor), and an escaped armed robber (Shatrughan Sinha) working on the mine grow to be unlikely heroes after cost-cutting results in a catastrophe on the mine. Yash Chopra directs, off a Salim-Javed script.

Kapoor & Sons (2016)
After their grandfather (Rishi Kapoor) suffers a cardiac arrest, two estranged brothers return to their childhood house the place they need to cope with a number of extra household issues. Alia Bhatt, Ratna Pathak Shah additionally star. Famous for being a modern-age household drama and a step ahead for LGBTQ illustration, although it is melodramatic on the finish and depends an excessive amount of on exposition.

Lage Raho Munna Bhai (2006)
On this sequel to the 2003 unique (additionally on the checklist), the eponymous Mumbai underworld don (Sanjay Dutt) begins to reside by the teachings of Mahatma Gandhi to impress a radio jockey (Vidya Balan) he is smitten with. Famous for its skill to stability the message with leisure, at the same time as some felt it dumbed down Gandhism. Co-written and directed by Rajkumar Hirani, who stands accused within the #MeToo motion.

Lakshya (2004)
Farhan Akhtar adopted Dil Chahta Hai with this (overlong) coming-of-age romantic warfare drama about an aimless and irresponsible younger Delhi man (Hrithik Roshan) who joins the Indian Military — the movie was set towards a fictionalised model of the 1999 Kargil Battle — to make his household and shut ones happy with him. Amitabh Bachchan, Preity Zinta co-star.

The Legend of Bhagat Singh (2002)
Ajay Devgn performs the titular socialist revolutionary and freedom fighter in writer-director Rajkumar Santoshi’s biopic, which follows Singh — and later his associates, Shivaram Rajguru, Sukhdev Thapar, and Chandra Shekhar Azad — from the Jallianwala Bagh bloodbath to the bombing of Parliament Home, which might finally result in their demise by hanging (besides Azad’s). Critics typically praised it, however some didn’t like its therapy of Gandhi.

Lipstick Below My Burkha (2016)
Denied a launch for six months by India’s censor board, this black comedy centres on 4 girls (Ratna Pathak Shah, and Konkona Sen Sharma amongst them) in small city India who set out on a journey to find freedom and happiness in a conservative society.

Manorama Six Toes Below (2007)
Abhay Deol leads the solid of this neo-noir thriller that brazenly acknowledges its Chinatown inspiration, because it follows a public works engineer and beginner detective (Deol) who’s paid by a minister’s spouse to gather proof of her husband’s affair, unaware that he is getting used as a pawn in a bigger conspiracy. Praised by critics, although audiences failed to understand it.

Maqbool (2004)
Vishal Bhardwaj kicked off what would grow to be his Shakespeare trilogy with this adaptation of Macbeth set within the Mumbai underworld, starring Irrfan Khan within the conflicted titular position, Tabu within the position of the bold Woman Macbeth, Pankaj Kapur because the king, and Om Puri and Naseeruddin Shah within the gender-flipped roles of the Bizarre Sisters.

Masoom (1983)
Shekhar Kapur’s directorial debut was an uncredited adaptation of Erich Segal’s 1983 novel “Man, Lady and Youngster”, through which the blissful lifetime of a household is disrupted after an orphan boy — born of the husband’s (Naseeruddin Shah) affair with one other girl — involves reside with them. It is an actual tear-jerker, thoughts you, and problematic in a couple of locations.

Mughal-e-Azam (1960)
A 16th-century Mughal prince (Dilip Kumar) clashes along with his father, Emperor Akbar (Prithviraj), after he falls in love with a courtroom dancer (Madhubala) on this epic drama, which stands as a milestone in Indian cinema and known as by some as the very best Hindi movie ever made. Famous for its grandeur, particularly a musical piece set in a reproduction of the Lahore Fort’s Sheesh Mahal. Questioned for its historic accuracy and artistic liberties elsewhere. Amazon has the 2004 digitally-coloured model.

Munna Bhai M.B.B.S. (2003)
After his dad and mom discover out he has been pretending to be a health care provider, a good-natured Mumbai underworld don (Sanjay Dutt) tries to redeem himself by enrolling in a medical faculty, the place his compassion brushes up towards the authoritarian dean (Boman Irani). Co-written and directed by Rajkumar Hirani, who stands accused within the #MeToo motion.

Nadiya Ke Paar (1982)
Partly based mostly on Keshav Prasad Mishra’s novel Kobhar Ki Shart, and higher identified for its overtly-musical 1994 remake Hum Aapke Hain Koun..!, this romantic drama is the story of a married man and girl and the illicit romance that blossoms between their respective siblings.

Naya Daur (1957)
In director-producer B.R. Chopra’s greatest identified and most commercially profitable movie, a tonga — a sort of horse-carriage — driver (Dilip Kumar) turns into a poster boy for the plight of a village that is present process industrialisation, as he is challenged to an unimaginable race towards the very factor that threatens their livelihood: a bus. Gave us the music “Yeh Desh Hai Veer”.

Newton (2017)
Winner of the Nationwide Award for greatest Hindi movie, through which Rajkummar Rao stars as a authorities clerk who tries to run a free and truthful election within the Naxal-controlled conflict-ridden jungles of India. Compared favourably to Jaane Bhi Do Yaaro — additionally on this checklist — for its political satire riches. Additionally praised for being each disillusioning and hopeful.

Padosan (1968)
Sunil Dutt, Saira Banu, Mehmood, and Kishore Kumar star on this remake of the 1952 Bengali movie Pasher Bari, a few younger man (Dutt) who falls in love along with his new neighbour (Banu) after which enlists the assistance of his singer-actor pal (Kumar) to woo her away from her music trainer (Mehmood).

Parched (2016)
Set in a fictionalised northwest Indian village, the story of a feminine quartet: a struggling widow for half her life, her shut pal (Radhika Apte) mocked for her infertility and abused by her alcoholic husband, a dancer (Surveen Chawla) who performs for males at night time, and a baby bride. Author-director Leena Yadav brings nuance to their institutionalised issues, and realism to their non-public discuss.

Parinda (1989)
Jackie Shroff, Nana Patekar, Anil Kapoor, Madhuri Dixit, and Anupam Kher star on this crime drama that finds two brothers (Shroff and Kapoor) caught on the alternative sides of a gang warfare, after one’s boss (Patekar) orders the demise of the opposite’s pal. Vidhu Vinod Chopra directs. Patekar stands accused within the #MeToo motion.

Phas Gaye Re Obama (2010)
Earlier than the authorized comedy movie collection Jolly LLB, writer-director Subhash Kapoor made this post-2008 monetary disaster satirical comedy a few recession-hit Indian-American businessman (Rajat Kapoor) who returns house to dump ancestral property in Uttar Pradesh however is kidnapped by recession-hit goons. Each Kapoors stand accused within the #MeToo motion; Rajat has apologised.

Pinjar (2003)
Primarily based on Amrita Pritam’s Punjabi novel of the identical identify and set within the years earlier than and after the Partition, a Hindu girl (Urmila Matondkar) returns to her Muslim kidnapper (Manoj Bajpayee) after she’s disowned by her household upon escaping. Received a Nationwide Award. Praised for Bajpayee’s work and its cinematography; faulted for its screenplay, pacing, and three-hour runtime.

Poorna (2017)
Rahul Bose directed and starred on this true story of Malavath Poorna (Aditi Inamdar), a 13-year-old lady from a tribal Telugu-speaking household, who turned the youngest Indian and the youngest girl on the earth to climb Mount Everest. Trivia: shot within the very Telangana village that Poorna grew up in. Famous for its authenticity and realism, and the performances of Bose and Inamdar.

Pyaasa (1957)
Guru Dutt directed and starred on this basic set in then-Calcutta which follows a struggling, anguished poet named Vijay (Dutt) who’s unable to get recognition for his work till he meets Gulab (Waheeda Rehman), a prostitute with a coronary heart of gold.

Raazi (2018)
Primarily based on the real-life occasions depicted in Harinder Sikka’s 2008 novel “Calling Sehmat”, Alia Bhatt stars as an undercover Kashmiri RAW agent who marries right into a Pakistani navy household upon her father’s request, to spy on the neighbour previous to and through the 1971 Indo-Pak Battle. Meghna Gulzar writes and directs. Some critics discovered it inconceivable, whereas most have been in reward of Bhatt’s work.

Sadma (1983)
Balu Mahendra remade his personal 1982 Tamil movie Moondram Pirai with Kamal Haasan, Sridevi, and Silk Smitha reprising their roles from the unique. It is the story of a younger girl (Sridevi) with retrograde amnesia who regresses to a baby’s psychological state and results in a brothel, the place she’s rescued by a lonely college trainer (Haasan).

Sahib Bibi Aur Ghulam (1962)
Primarily based on Bimal Mitra’s similarly-titled 1953 Bengali novel and set through the fall of British Raj feudalism, a part-time servant (Guru Dutt) develops an in depth, platonic bond with the ignored, lonely spouse (Meena Kumari) of an aristocrat (Rehman). Waheeda Rehman — no relation — additionally stars. Critics referred to as it sombre and praised the performances, screenplay, and the cinematography.

Sholay (1975)
Not many movies have a degree of prominence in common Indian tradition — due to dialogues, characters, and scenes — that’s loved by this wonderful instance of “Curry Western”, which blends real-life parts with the works of Akira Kurosawa and Sergio Leone. It is also a basic instance of a “masala movie”, one which criss-crosses varied genres, although its slapstick makes an attempt are least profitable. Amitabh Bachchan, Dharmendra, Hema Malini, Sanjeev Kumar, and Jaya Bhaduri (now Bachchan) star.

Siddharth (2013)
After a poor Delhi man’s (Rajesh Tailang) 12-year-old son goes lacking whereas away on work a whole bunch of kilometres away in Punjab, he units out throughout the nation to search out him, fearing he is been trafficked. Second function for director Richie Mehta. Stays away from providing up straightforward solutions, and as a substitute supplies a terrific take a look at “the ugly reality” of kid labour and abduction.

Talaash (2012)
Aamir Khan, Rani Mukerji, and Kareena Kapoor lead the solid of this psychological crime thriller, through which a police officer (Khan) should confront his previous to unravel a high-profile homicide, which entails a intercourse employee (Kapoor) and his grieving spouse (Mukerji). Co-written by Zoya Akhtar and Reema Kagti, additionally director. Largely praised, although some assume it tries to do an excessive amount of.

Thappad (2020)
A housewife’s (Taapsee Pannu) seemingly good married life results in items after her husband slaps her throughout a celebration at their house, which makes her query and re-evaluate her life. Anubhav Sinha directs. Praised for addressing home violence, a subject routinely brushed underneath the carpet in patriarchal India, although some objected to the “easy solutions” it supplied.

Titli (2014)
Set within the badlands of Delhi’s underbelly, the youngest member of a violent car-jacking brotherhood tries to flee his household enterprise, and finds an surprising confidant in his new spouse, chosen for him by his unruly brothers. Ranvir Shorey co-stars. Function debut for writer-director Kanu Behl, whose work was immensely praised, for its character-driven nature and infusing it with hope regardless of the darkish backdrop. Parallels have been drawn to Asghar Farhadi’s movies.

Trapped (2016)
Rajkummar Rao stars as a name centre worker who unintentionally locks himself in a high-rise condo devoid of meals, water, and electrical energy on this survival thriller from Vikramaditya Motwane. Largely praised, although some critics felt the mixed abilities of Rao and Motwane should have delivered extra.

Tumbbad (2018)
Whereas in search of a secret treasure in a village in 20th-century Maharashtra, a person and his son face the implications of constructing a temple for a legendary demon who’s not imagined to be worshipped on this psychological horror movie.

Ugly (2014)
On this thriller from writer-director Anurag Kashyap, a struggling actor (Rahul Bhat) and a policeman (Ronit Roy) search for a lacking 10-year-old lady: their daughter and step-daughter, respectively. Termed as considered one of Kashyap’s greatest by many, although some took subject with its routineness, flabbiness, and unearned insights.

Veer-Zaara (2004)
Yash Chopra’s penultimate directorial enterprise — operating over three hours — is in regards to the titular star-crossed lovers, an Indian Air Drive pilot (Shah Rukh Khan) and a Pakistani politician’s daughter (Preity Zinta), whose story is recounted in flashback to a Pakistani lawyer (Rani Mukerji) by the imprisoned pilot after 22 years. Recommended for its secularist and feminist themes, and its portrayal of Indo-Pak relations.

Zindagi Na Milegi Dobara (2011)
Hrithik Roshan, Farhan Akhtar, and Abhay Deol star as three childhood pals who set off on a bachelor journey throughout Spain, which turns into a possibility to heal previous wounds, fight their worst fears, and fall in love with life. Zoya Akhtar directs, as Katrina Kaif and Kalki Koechlin co-star. Known as contemporary, pleasant, and aesthetically pleasing — it appears like an advert for Spain at instances; faulted for its pacing, runtime, and contrived nature.